David Dubrow

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On the Night Crew – Three Pieces of Flash Non-fiction

November 14, 2014 by David Dubrow Leave a Comment

For over ten years I worked in supermarket retail, doing various jobs.  I worked my way through high school and later through an indifferent college career and beyond.  There were parts of it I very much enjoyed, and parts I loathed, which is pretty much typical when it comes to working.

Night crew was a blast, despite the hours.  Most of us were young and strong, and the work was very easy.  We got time and a half on Sundays in those days.  Because it was a union store, we weren’t paid on performance, only longevity.  It’s very difficult to get fired when you’re in a union.  Here are a few night crew highlights, which I’m calling flash non-fiction so they just won’t seem like dumb little stories of things that happened:

  • Howard was an older man: moved slowly, talked very little, and had more seniority than the rest of us put together.  This is meaningful when you’re working in a union store.  A likable enough fellow.  He would start every ten to six shift with two two-liter bottles of Seagram’s wine coolers, and over the course of the night would polish them both off.  Every shift.  None of us commented on it when he was around.  That was what he needed to maintain.  Howard was, in our parlance, hard-core. 
  • Some of us did whippits.  Not all the time, but when you’ve done all the work allotted to an eight-hour shift in four hours, you need to fill up the rest of the time.  There was a trick to it: if you shook up the bottle, all you’d get was whipped cream up your nose.  So you had to get one that hadn’t been shaken up.  We used the store brand whipped cream, but not because the nitrous oxide in it was any better; it was on the bizarre premise that people expected a poor product from the store brand versus the more “premium” Reddi-Wip.  Nobody got addicted that I know of, and nobody died, at least when clocked in.
  • Turkey bowling was a thing, but not as much fun as you’d imagine.  They didn’t wax the floors more than once a month in our store, and if you skated a frozen turkey across a waxed floor, you’d start scraping the wax off the tiles.  That would create grooves for dirt to get into which made it difficult for the other guys to clean.  The unwritten rule was to have fun, but not make more work for anyone else.  So we had to do turkey bowling in the dairy aisle, which had grouted, unwaxed tiles.  The rough “alley” made for a difficult game, and we only did it just to say we did it (turkey bowling and stories of it have been around at least since the 1980’s).  

Those were the days.

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Filed Under: blue collar, turkey bowling, unions, war stories, wine coolers, wippits

War Stories: Little Melvin

November 10, 2014 by David Dubrow Leave a Comment

We had gone to Maryland to shoot a martial arts video with someone you might have heard of; he was an actor on the show WMAC Masters and had once been featured on an A&E program about former felons who had gotten their lives back on track.  His name is Willie “Bam” Johnson. I had worked with him on a self-defense project ten years earlier and found him to be a very strong, fit, and decent man.  So when it came time for us to shoot another video, I jumped at the chance.

On the morning of the first day of shooting, we drove into downtown Baltimore to film an interview with him and a pastor who had helped him turn his life around.  At the time, on-location shoots were done with a crew of two: me as the director/producer/sound engineer/lighting expert/1st camera/location scout, and another man who helped.  As we were packing up the equipment after the interview, Johnson said that there was one more interview he wanted to do, and asked us to follow him in our car.  I asked where we were going, and he grinned and said he didn’t want to tell us, but it would be worth our time.  
Soon we found ourselves driving through an extremely bad part of Baltimore.  My alma mater is Temple University, so I know what bad neighborhoods look like.  This was about as bad as it got.  We were driving a black Suburban; our heavy shooting schedule had permitted us a free upgrade from the minivans we usually rented.  As comfortable as it was to drive, it attracted attention, though not as much as Johnson’s Hummer.  
We eventually pulled up at a large building suspiciously free of graffiti, and spent the next several minutes hauling camera bags and Pelican cases from the SUV to the building’s entrance.  A smiling man in white greeted us with handshakes, and we went inside the darkened building to the back.  It was then that we were introduced to Little Melvin.
Melvin Williams, AKA Little Melvin, was the real-life inspiration behind the Avon Barksdale character in HBO’s show The Wire.  He was tall, with muddy brown eyes that had something very sharp going on behind them.  I’m not trying to be literary or melodramatic: you took a look at him and knew that despite his mild demeanor, he took in everything.  At the time, I hadn’t watched The Wire, so I wasn’t at all starstruck.  I was just there to do a job.

Johnson conducted the interview and talked about Little Melvin’s interest in martial arts and how it helped him in his career.  It didn’t take terribly long, and we were soon packing up to go to the next location: Johnson’s dojo.  
As we packed up, I chatted a bit with Little Melvin and his friend, a man whose name I’ve forgotten but struck me as a nice, personable fellow with a sense of humor.  They kidded us about how we stuck out in the neighborhood a bit.  Little Melvin told us a few stories about how he had been railroaded into prison, and how just the rumor of him being angry about his portrayal in the film Liberty Heights had scared director Barry Levinson into almost canceling the movie’s release (Orlando Jones played Little Melvin in the film).
My colleague got a picture with Little Melvin and his friend while I finished packing up. 
On the way back to the dojo, we turned on the radio.  It’s very likely that we were the only people in that part of Baltimore listening to Jimmy Buffett.  To this day, I don’t know if the video was ever released.
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Filed Under: fish out of water, little melvin, martial arts, the wire, war stories

Breadhead Friday: Lean Artistry

November 7, 2014 by David Dubrow Leave a Comment

I picked up Richard Bertinet’s Dough not long ago and got some very good ideas on kneading and shaping bread dough.  His kneading process is different: you slap the dough on the counter, fold it over, pick it up, and slap it down again.  Over and over.  This puts air into the dough and helps it get the big holes you want in the simpler, lean breads (a lean bread is one that doesn’t have sugar, fat, or eggs to enrich the dough).

The epi is on the right. It’s supposed to look like a wheat sheaf

Having done breads only with my trusty KitchenAid for the last several years, I was skeptical, but willing to experiment.  My experience working with wet doughs was helpful: I knew that the soggy mess I was flopping around would eventually come together, and it did.

Great oven spring. The epi is a bit lumpy

One tool that I’d disdained as unnecessary has turned out to be vital in the process: a plastic dough scraper.  If you want to keep air in your dough and get that light, airy crumb, you need one.  It cuts without letting air out, and helps with both mixing and shaping.

I got the big holes in a baguette!

Across the board, I’m happy with the results.  The mini-baguettes, while not perfect, have great holes in the crumb, the best I’ve gotten with baguettes.  And while the fougasses may be a little clunky, they were also airy and nice to eat, and with practice, I’ll get better at them.

These fougasses are not fugazi

The breads pictured here were my own recipe: a 75%-80% hydration lean dough to ensure lightness in the crumb.  I highly recommend Dough as an excellent bread primer with plenty of good techniques, ideas, and recipes.

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Filed Under: baguettes, bread, breadhead friday, dough, fougasse, lean bread, richard bertinet

War Stories: Keys Are for Pussies

November 3, 2014 by David Dubrow Leave a Comment

During my tenure with “the most dangerous press in America,” I got to see a lot of very interesting things, talk to some fascinating people, and take part in activities the average person rarely gets to witness.  All of it legal, of course.  When it came time for me to describe some of what I learned in the books The Ultimate Guide to Surviving a Zombie Apocalypse and, to a lesser extent, The Blessed Man and the Witch, my younger brother told me, “When I read your books, I know that the fight scenes are realistic.”  I appreciated that; it’s very difficult to show real-world combat tactics through fiction in a way that makes sense to a reader regularly exposed to media representations of violence.  What follows is an example of an experience I had that would be considered atypical.

We were in the production phase of a shotgun video intended to take the viewer from firearm selection to the penetrating power of various rounds (slug vs. birdshot vs. buckshot) to bare-bones shooting tactics.  Across the board, it was a great instructional video, and arguably the best of its kind.  

Near the end of the first day of production, we drove to the on-site shoot house to show the power of a door-breaching round on an exterior door you’d find on a typical suburban home.  Most people won’t ever have to blow a door open with a shotgun, but we had the ammunition and door, and part of the video was about exploding various shotgun myths (like the notion that you can just stand in a doorway and blow scores of people away with one shot).  So we went for it.  
The problem was that we’d forgotten to get the key to the shoot house.  A shoot house (also called a kill house) is a purpose-designed building used for teaching close-range firearms tactics.  Depending on your budget, it might be furnished (to give the trainee a more realistic experience), have a roof, and even video cameras to record the training.  This shoot house was about as good an example as you’d want to train in and included a grate-style ceiling on which the trainer/RO (Range Officer) could walk and observe the drills being practiced.  
But we didn’t have the key.  It was back at the main building.  
Rather than go through the rigmarole of getting into the truck and driving the onerous two minutes or so to get it, one of the men with us said he had his lockpicks in the glove box of his car.  In less than a minute he had the lock open and we were setting up our cameras.  The man who’d done it wasn’t a professional locksmith or super-secret spy: he was using skills he’d learned and practiced over time to solve a problem.  Most, if not all, of the other men there could have done the same thing.  It wasn’t a big deal.  Just thirty seconds with a rake pick and tension tool.
Typical Monday. 
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Filed Under: firearms, guns, lock picking, media representations of violence, shotgun, war stories

Two Mini Horror Reviews for Your Halloween Pleasure

October 31, 2014 by David Dubrow Leave a Comment

Happy Halloween!  From its pagan origins to its crass commercialism, it’s a great holiday for both kids and adults. Think of how strange it is: children dress up in costumes and go door-to-door demanding candy from strangers.  A kind of forced fellowship with one’s neighbors until November 1, when we can go back to politely ignoring each other. I love it.

Breadhead Friday’s canceled because of Halloween and the nasty cold I’ve gotten as a Samhain present from my little boy.  I’m at that apex state of the cold where my head’s full of stuff and everything tastes terrible and I feel like hell, but it’s Halloween, so I’ll eat a lot of chocolate, not taste it, and put up the last few decorations outside.  We’re going with a skull and skeletons theme this year.  
Yesterday, I felt too awful to write.  So for the first time in years, I sat, did nothing, and sucked on the glass teat all day.  It’s not an experience I want to repeat for a myriad of reasons, but I was at least entertained.  This is what I watched:
V/H/S
Like all horror anthology films, this one was a mixed bag.  It was entertaining for the most part, and had some particularly creepy moments.  The unifying plot (Tape 56) of getting some secret VHS tape from the old man was kind of silly, though.  It could have been done better.  The best segment was Amateur Night: nothing in it was terribly unexpected, but it was done well, and had some horrifying moments.  Second Honeymoon had two particularly disturbing moments that saved it from its pedestrian execution.  Tuesday the 17th tried to turn the typical slasher theme on its head and utterly failed: it was easily the weakest of the segments.  The Sick Thing That Happened to Emily When She Was Younger tried too hard to create a twist ending and ended up overcomplicating itself, but was pretty watchable.  10/31/98 was good: the characters were realistic, the situations were frightening.  Overall, V/H/S/ is worth a watch.
Hemlock Grove
I watched the first two episodes at my wife’s request so we could watch the rest together.  I quite like it.  There’re some story elements that have so far elevated it above standard vampire/werewolf tropes.  Lili Taylor isn’t annoying, but Famke Janssen’s English accent is.  I’m looking forward to the remaining episodes, once this rhinovirus lets me stay up past eight.
Have a fun Halloween!
Oh, I almost forgot.  Dreadedin Chronicles: The Nameless City is still free until tomorrow, so get it while supplies last. Free shipping!  Thrills don’t get cheaper than this.
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Filed Under: dreadedin, halloween, hemlock grove, horror, horror movies, movie reviews, the nameless city, vhs

Kathleen Hale the Stalker: 4 Things to Consider

October 29, 2014 by David Dubrow 1 Comment

Kathleen Hale is a writer who, after having gotten a bad review on her book, stalked the reviewer online, in person, and on the phone.  Hale wrote about her experiences in The Guardian, and the story has elicited a great deal of comment in both writer and reviewer circles.  As usual, I’m a bit late to the party, but I figured I’d make my thoughts known anyway.

  1. There’s an expression that I love when it comes to commentary on situations like these: moral preening.  Or, if you prefer, burnishing your moral bona-fides.  In short, you should get no points for taking the moral stand that’s self-evidently right, even if many people have taken the opposite position.  There’s no bravery in pointing out an obviously wrong thing and saying, “Hey, you shouldn’t do that.”  With that in mind, it’s clear that Hale was completely batshit crazy and shouldn’t have stalked the reviewer.  She shouldn’t be trusted with sharp objects, she’s an entitled lunatic, etc. etc.  We know that, so let’s move on.
  2. This is an interesting piece, if only because it hits the most overwrought high points and completely forgets how unbelievably small the respective author and reviewer pools truly are compared to the population of actual readers.  The vast majority of readers don’t give a shit outside of the drama Hale’s story has created, which is itself interesting reading.  If all the book bloggers/reviewers went on strike, people would still buy and read books.  Even indie books.  Note also terms like “systematic devaluation of female voices” in the actual piece and comments from readers that include “it all seems to me to be part and parcel of a trend toward silencing women”.  This from an opinion piece that does more than just reference a woman writer who stalked a woman reviewer.  If female voices are being devalued, some of the blame must fall upon women, right?  The expression about one’s only tool being a hammer and every problem resembling a nail comes to mind.  If everything’s about women’s issues, nothing’s about women’s issues.  This isn’t about women’s issues.
  3. I care about reviews: most beginning writers do.  Reviews affect business.  Obviously, I only want honest reviews from people who read the book (no moral preening here).  If the book’s great, tell me so.  Tell everyone how great it is so they buy it, too.  However, I ache for the time when none of it will matter so much to me.  It will require a great deal of work to get there, so I just put my head down and write.  When it comes to bad reviews (anything less than 3 stars is a bad review, and even a 3-star review isn’t good), they hurt, but you suck it up and move on.  If the reviewer has something pithy to say, you go back and see if the criticism is valid.  Improve where you can and move on.  One thing, though: I reserve the right to hate you a little because you didn’t like my book.  Just a little.  I won’t act on it.  But it’ll be this thing between us.  And you might have forgotten it, but for me, it’s always there.  For some writers, the hate is bigger.  For some unhinged writers, there’s a need to act on that hate, hence Hale.  
  4. Goodreads is where the dastardly attack on Hale’s good name was perpetrated.  I dislike Goodreads.  Most authors I speak to feel the same way.  It’s tailor-made for the passive-aggressive set, with its context-free rating system that doesn’t require that you’ve read anything further than the blurb to use.  Many Goodreads reviewers love to write long, vicious attack screeds about the books and authors they hate, and these reviewers have gained reader followings for those screeds.  Self-important internet book-tyrants stake out fiefs on Goodreads, and woe to the fool who makes the mistake of expressing a different opinion.  Luckily, Goodreads isn’t representative of the reading population.  Hopefully it isn’t representative of humanity in general.  Like every other form of social media, it’s high school.  It’s small.  It’s not the real world.  But writers have to acknowledge it.  

All the successful writers I respect say the same thing: ignore the reviews.  Write.  Improve.  Market.  Repeat.  It’s what I intend to do.

Right after I check my Amazon writer page to see if anyone else has reviewed my books yet.

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Filed Under: book review, goodreads, inside baseball, kathleen hale, review

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"It began to drizzle rain and he turned on the windshield wipers; they made a great clatter like two idiots clapping in church." --Flannery O'Connor, Wise Blood

"Squop chicken? I never get enough to eat when I eat squop chicken. I told you that when we sat down. You gotta give me that. I told you when we sat down, I said frankly I said this is not my idea of a meal, squop chicken. I'm a big eater." --John O'Hara, BUtterfield 8

I saw the 1977 cartoon The Hobbit as a little boy, and it kindled a love of heroic fantasy that has never left me. Orson Bean's passing is terrible news. Rest in peace.

Obviously, these young people have been poorly served by their parents, but the honest search for practical information should be lauded, not contemned.

You shouldn't look at or use Twitter, and this story is another perfect example. There's so much that's wrong here that it would take a battalion of clergy, philosophers, and psychologists to fully map it out, let alone treat the issue.

This is the advertising copy for Ilana Glazer's stand-up comedy special The Planet Is Burning: "Ilana Glazer‘s debut standup special is trés lol, and turns out - she one funny b. Check out Ilana’s thoughts on partnership, being a successful stoner adult, Nazis, Diva Cups, and more. Hold on to your nuts cuz this hour proves how useless the patriarchy is. For Christ’s sake, The Planet Is Burning, and it’s time a short, queer, hairy New York Jew screams it in your face!" This is written to make you want to watch it.

In the midst of reading books about modern farming, the 6,000 year history of bread, and ancient grains, I found this just-published piece by farmer and scholar Victor Davis Hanson: Remembering the Farming Way.

"I then confront the decreasing power of the movement in order to demonstrate the need for increased theorizations of the reflexive capacities of institutionalized power structures to sustain oppositional education social movements." Yes. Of course.

You should definitely check out Atomickristin's sci-fi story Women in Fridges.

As it turns out, there may yet be some kind of personal cost for attempting to incite a social media mob into violence against a teenage boy you don't know, but decided to hate anyway because reasons.

One of the biggest problems with internet content is that the vast majority of sites don't pay their writers, and it shows in the lack of quality writing. It's hard to find decent writers, and harder to scrape up the cash to pay them. This piece is a shining example of the problem of free content: it's worth what you pay for.

If you're interested in understanding our current cultural insanity, the best primer available is Douglas Murray's The Madness of Crowds. Thoughtful, entertaining, and incisive.

More laws are dumb. More law enforcement is dumb. The only proper response to violence is overwhelming violence. End the assault. There's a rising anti-semitism problem in New York because Jews who act like victims are being victimized by predators. None of these attacks are random. Carry a weapon and practice deploying it under duress. Be alert and aware. I don't understand why the women Tiffany Harris attacked didn't flatten her face into the pavement, but once word gets around that the consequences of violence are grave, the violence will lessen.

When are you assholes going to understand that this stupidity doesn't work any longer? Nobody gives much of a damn if you think we're sexist because we don't want to see a movie you think we should see. It only makes us dislike you that much more, and you started out being an unlikable asshole. Find a new way to shame normal people.

The movie Terms of Endearment still holds up more than 35 years later, and if you're looking for a tearjerker, this is your jam. One element that didn't get a lot of mention is, at the end, when Flap, with a shrug, decides that his mother-in-law will become the mother of his children once Emma dies. He abandons them, and nothing is made of it. This always troubled me.

You need to read this story the next time you feel the urge to complain. And if you need a shot of admiration for another family's courage, check this out.

Progressive political activist and children's author J.K. Rowling finds herself on the wrong side of a mob she helped to create. The Woke Sandwich she's been trying to force-feed others since she earned enough f-you money doesn't taste as good as it looks when she's obliged to take a bite.

I need you to check out The Kohen Chronicles and pray for this family. Their 5-year-old son has cancer.

Currently, the movie Star Wars: The Rise of Skywalker stands at 55% at Rotten Tomatoes. Don't forget that these are the same reviewers who not only adored the absolutely execrable The Last Jedi, but insisted that you were a MAGA hat-wearing incel white supremacist manbaby for not loving The Last Jedi. So either The Rise of Skywalker is an objectively bad film, or it simply wasn't woke enough to earn plaudits from our movie-reviewing moral and intellectual betters.

It's easy to hate the older pop bands like Genesis for their popularity, but they were capable of genius, and it shows in No Son of Mine.

If you want to know which identity group has more clout, read this story of the Zola ads on the Hallmark Channel.

Rest in peace, René Auberjonois. I remember you from Benson as a kid. As an adult, I remember you as Janos Audron in the Legacy of Kain video game series. You made every role you were in a classic.

Elf on a Shelf Follies, Part 2:
8-year-old: I wrote the elf a note! I hope he writes back.
Me: What did you write?
8yo: I asked if he has any friends.
Me: What if he says it's none of your business?
8yo: *eyes grow dark and glittering* Then I'll...touch him.
Me: Ah. Mutually assured destruction, then.

Elf on a Shelf Follies, Part 1: My 8-year-old got an Elf on the Shelf the other day. The book it came with tells a story in doggerel about this elf's purpose, which is to spy on the kid and report his doings to Santa Claus, who would then determine if the kid is worthy for Christmas presents this year. The book also said for the kid not to touch him, or the magic would fade, and for the family to give the elf a name. I wanted to name him Stasi. I was outvoted.

Actor Billy Dee Williams calls himself a man or a woman, depending on whim; his character Lando Calrissian is "pansexual," and his writer implies that he'd become intimate with anyone or anything, including, one presumes, a dog, a toaster, or a baby. J.J. Abrams is very concerned about LGBTQ representation in the Star Wars universe. This is Hollywood. This is Star Wars. This is what's important to the people in charge of your cinematic entertainment. Are you not entertained?

The funniest thing on the internet today is the number of people angry over an exercise bike commercial. Public outrage is always funny. Always.

One of the biggest mistakes the United States has ever made since WWII was recruiting for clandestine and federal law enforcement organizations at Ivy League schools. The best talent pools were/are available from local law enforcement and military veterans, with their maturity and, most importantly, field experience. We've been reaping the costs of these terrible decisions for decades, culminating in a hopelessly politicized, sub-competent FBI and CIA.

Watching Fauda seasons 1 and 2 again in preparation for season 3 to be broadcast, one hopes, in early 2020. Here's my back-of-the-matchbook review of season 2.

Every day I try to be grateful for what I have, even in the face of the petty frustrations and troubles that pockmark a day spent outside of one's living room, binge-watching Netflix. We live lives of ease in 21st century America, making it enormously difficult to do anything but take one's countless blessings for granted. Holidays like the just-passed Thanksgiving are helpful reminders. There's a reason why people call the attitude of a thankful heart practicing gratitude, not just feeling grateful. You have to practice it. You have to remind yourself of what you have. It's the work of a lifetime.

Held Back: A Recent Conversation.
8-year-old: Oh, and Jamie was there, too. He was in my first grade class two years ago.
Me: Wasn't he held back a year?
8yo: Yeah. It's because he kept going to the bathroom with the door open.
Me: No way!
8yo: And girls saw.
Me: That's not right. They're not going to hold a kid back a whole year over that.
8yo: Well, that's what he told me.
Me: Sounds fishy.
8yo: I believe him.
~fin~

It's right and good to push a raft of politically correct social justice policies on everything else under the sun, but when social justice invades Hollywood, that's just a bridge too far, says Terry Gilliam. Sorry, Terry: you helped make this sandwich. EAT IT.

Rob Henderson's piece on luxury beliefs will have you nodding your head over and over again...unless you subscribe to these luxury beliefs, in which case you'll get mad.

I've made the Saturday bread from Flour Water Salt Yeast so often that I've memorized the recipe. It never disappoints. Never. The same recipe works well for pizza, too.

Liberty doesn't mean the freedom to do anything you want. The true definition of liberty is the ability to choose the good. Anything less is libertinism.

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