David Dubrow

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“We’ll fix it in post.” – NaNoWriMo Thoughts

October 13, 2014 by David Dubrow Leave a Comment

November is National Novel Writing Month, also called NaNoWriMo.  The official site says of it:

“National Novel Writing Month (NaNoWriMo) is a fun, seat-of-your-pants approach to creative writing. On November 1, participants begin working towards the goal of writing a 50,000-word novel by 11:59 PM on November 30.  Valuing enthusiasm, determination, and a deadline, NaNoWriMo is for anyone who has ever thought fleetingly about writing a novel.”

You’re not supposed to spend time editing this novel you’re writing in a month: you’re just supposed to write.  It’s intended to stimulate creativity and give anyone who succeeds in writing a 50,000-word novel within the time limit the title of “novelist”.

I don’t get it.  At all.

A big joke in video production is, “We’ll fix it in post.”  Which means that if there’s a flub during the performance that you can’t or don’t want to re-shoot for whatever reason, you make a note of it and try to edit the final product in such a way as to minimize or eliminate the flub (editing the video is “post-production”).  The talent misspoke?  We’ll fix it in post.  The lights flickered?  We’ll fix it in post.  The mic operator accidentally brained a cast member with the boom and got blood everywhere?  We’ll fix it in post.

In publishing, the intent is to get everything perfect.  No mistakes.  Perfection is impossible this side of Heaven, but it’s what you shoot for.  No typos, misspellings, plot holes, or formatting errors allowed.  The cover has to look as good as any human anywhere can make it.  There’s no room for mistakes in a product that other people will spend money on.

People love to say, “Practice makes perfect.”  Like many cliches, it’s wrong.  It isn’t practice that makes perfect: it’s perfect practice that makes perfect.  If you do something wrong every single time, all you’re doing is getting practiced at doing something flawed.  Your intent has to be to do it right every single time, not to do it quickly, or to just do it.  It doesn’t have to be perfect the first time, or the second, or the third or fourth or fifth.  But you should at least try to make it as good as you can in the beginning.  A ball player doesn’t just throw basketballs at the hoop: he tries to make baskets.

With all that in mind, I don’t see the value of simply putting an arbitrary number of words on a page just to say that you did it.  Anybody can do that.  I understand that plenty of people who write just want to get words on the screen as that first draft, but that makes little sense.  Every draft of my work represents the best I could do at that time.  The more work you do in the beginning, the less you’ll have to fix in post, and the closer you’ll get to perfection.  Start out well, and you’ll finish well.

Obviously, I’m not the gatekeeper for who can call himself a novelist and who can’t, nor do I want to be.  It’s very much a meaningless title that anyone can acquire just by saying so.  If by the end of NaNoWriMo you then feel comfortable putting the novelist crown on yourself, feel free.  Nobody’s stopping you.  There’s no barrier to entry, no quality control to endure, and nobody to take it away from you.  Is that really what you want?

The writers I most admire don’t do NaNoWriMo, or if they do, they don’t talk about it.  I’m very much a “model success” sort of person; if Paul Auster or Jonathan Carroll don’t sign up for NaNoWriMo every November, they probably have very good reasons for it.

Each of us has his own individual process for writing.  If NaNoWriMo is your thing, great!  I wish you the best of success.

It’s just not for me.

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Filed Under: contrary opinions, nanowrimo, national novel writing month, we'll fix it in post, writing

Bits and Pieces

October 10, 2014 by David Dubrow Leave a Comment

Breadhead Friday’s canceled today while I go out and do instead of talk about what I did.  In the calm before today’s storm, here are a few more or less random thoughts.

Yesterday, my wife and I went to see Gone Girl.  The dialogue was terrible.  When it wasn’t cliche, it was stilted and unrealistic.  Nobody talks like people in that movie did, unless they’re in a book.  The notion of the unreliable narrator was so pervasive that you couldn’t care about any of the characters.  Not only were they unlikable, they were unknowable.  It was interesting to see Tyler Perry outside of a fat black woman suit.  I hope he does more roles that don’t require that contrivance, because he was the only bright spot in the cast.  Ben Affleck shouldn’t act in anything serious, because he can’t be taken seriously.  There were two moments of real fun in the film, both of which happened near the end: a scene of shocking violence, and a brief moment of pathos.

Previews for Exodus: Gods and Kings left me cold.  I’m a little concerned that they’re going to secularize the story of Moses.  On the Passover holiday, “[E]ach person is obligated to see himself or herself [lirot et atzmo] as though he or she personally came forth from Egypt.”  So there’s a personal component here.

J D Mader has written a piece here about book reviews.  In it, he redefines the nature and purpose of book reviews to only mean what he thinks it should mean, and claims that everyone else is doing it wrong.  Because he’s “annoyingly ethical.”  Which means that if we don’t rethink the review system and review books according to his viewpoint, we’re being unethical.  What’s missing from the piece are:

  1. A comprehensive list of which books are actually worthy of a five-star review so the rest of us aren’t acting unethically and ruining the redefined system.
  2. Any meaningful discussion of how subjective a book review can be.
  3. The difference between great art and great entertainment (some people liked The Girl with the Dragon Tattoo more than Ethan Frome, and there’s nothing wrong with rating them according to preference).
  4. Specific criteria that will teach the unethical lot of us who broke the perfect system how to review books properly.
The librarian at the Dunedin Public Library with whom I’m working to produce the YA Halloween novella very much enjoyed the draft I sent her, so we’re working on next steps.  The book needs a cover image.  And another run-through with an editor.  These things are doable.  There may be a print copy made available, but we’ll see.  
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Filed Under: gone girl, horror, redefining book reviews, ya novella

The Cabin in the Woods Sucked

October 8, 2014 by David Dubrow Leave a Comment

There are some movies you just like right off the bat, and some movies that you think you should’ve liked and didn’t.  There was just something about them that was off-putting in some way, and you need to dig deeper to figure out why.

Star Trek Into Darkness was one of those technically competent but off-putting films, but the reason was simple: it was a 9/11 Truther allegory.  I’m disgusted that I paid to see it.

The Cabin in the Woods was another.  This discussion is predicated upon the reader having seen the film; if you haven’t, what follows won’t make much sense.

On the surface, it was a black comedy/horror film, exposing traditional horror movie tropes, making fun of them, and turning them upside-down.  Lots of people liked it: it got a 7.1 out of 10 on the IMDB scale, and a 91% fresh rating from Rotten Tomatoes.  In today’s “we’re all so over everything” post-modern culture, it was hailed as an achievement in meta-filmmaking.

In reality, it was a thumb in the eye from Hollywood to every horror fan.  Few of us go to the movies to have our intelligence insulted by pseudo-intellectuals, but that’s what The Cabin in the Woods did.  The writers, Joss Whedon and Drew Goddard, are as culpable as anyone for the shallow, lifeless tripe Hollywood foists upon an undiscriminating public, but with this ha-ha-wink-wink film, they try to distance themselves from the mess they helped create.

The slasher movie archetypes they lampoon as necessary to the ritual weren’t created by Hollywood: they’re high-concept.  The Scholar, the Whore, the Virgin, the Athlete, the Fool: they’re people we can all identify with, because all of us have been one or more of them at one time or other.  They work, and it can be argued that most films of any genre contain these characters.  So the attempt to mock them as overdone tropes falls short.

As for the formulaic nature of slasher films, which is the largest target of TCitW, we only have Hollywood to blame.  The lack of imagination, the attempts to appeal to the widest audience possible through bowdlerizing material, and the sheer number of remakes shows even the most casual observer that Hollywood has run out of ideas.  Last summer’s box office take was down, and it can’t all be blamed on the economy.  If you put out the same, already-done crap over and over again, eventually we’ll stop going to the movies altogether.  But until we do, don’t make us out to be the idiots for going to see your movies.

These Ancient Ones that demand the ritual be performed in a certain way, you see, are us: the stupid movie-going public.  If the Whore isn’t killed, if the Athlete doesn’t die horribly, then the ritual fails, and the Ancient Ones destroy the world.  That’s the filmmakers’ way of washing their hands of the mess Hollywood created.  They’ve fed us crap for so long they think we expect crap, and if we don’t get crap, we’ll complain.  Think about the sheer chutzpah of that, the superiority inherent in that way of thinking.  That’s what galls me: they blame their own lack of imagination on us.

They’re not that clever.  And we’re not so stupid.

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Filed Under: critical analysis, don't insult my intelligence, horror, joss whedon, movies, the cabin in the woods

Breadhead Friday: Doughnuts

October 3, 2014 by David Dubrow Leave a Comment

I’m expanding Breadhead Friday to include all things made with yeast, and in this case, I’m adding doughnuts.  They’re very time-consuming, from making the dough to letting it rise twice to cutting, shaping, frying, filling, and decorating.

But if you have the inclination and gumption, they’re worth it.  
At a kitchen store a few years ago, I bought a two dollar doughnut cutter for the traditionally-shaped doughnuts (with a hole).  For the jelly-filled, I used an empty, clean tuna can with a hole in the middle to let the air out when pressing down.

The recipe I used is a basic paczki dough.  Paczki are Polish doughnuts, usually filled with cream cheese, jelly, or other fruit filling.  My only alteration to the dough was letting it do its first rise in the fridge; if I use this recipe again, I’ll let it do its second rise in the fridge instead.  
Frying in a pot of oil
A different batch frying up
For the frosting, I did a chocolate ganache and a confectioner’s sugar glaze, both similar to these recipes from King Arthur.
Jimmies aren’t necessary, but nice to have
Unfortunately, I learned too late in the process that the doughnut-filling device I typically use went missing; it probably didn’t survive one of the several moves we’ve done over the last few years, so I had to forego the filling on the solid doughnuts.  
Rolled in sugar right out of the fryer
By doughnut-filling device, I mean a 99 cent plastic squeeze bottle.  Like this one.  For fillings without seeds, they’re perfect.  I’ll have to get some more someday.
One batch of dough made this many doughnuts
There’s no way we could eat the entire batch, so most of them ended up in the freezer.  They’ll keep.
And, of course, the crumb shot
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Filed Under: breadhead friday, donuts, doughnuts, paczki, sufganiyot sans jelly

Confessions of a Former (?) D&D Geek

September 29, 2014 by David Dubrow Leave a Comment

Our culture has changed significantly since I paid attention to it, which was quite some time ago.  I suspect that fantasy role-playing games (RPGs) aren’t considered quite as nerdy now as they were in my time, but I could be wrong.  With the mainstream popularity of video games, it seems that the pen-and-paper games should also enjoy a little more cachet.

Without them, I would not be a writer.  Games like D&D, Call of Cthulhu, Villains and Vigilantes, etc. were quite formative in my social life and helped build my mental landscape.  Without use, your imagination shrinks.  The stories we told during those games were really quite extraordinary.

It was on a rainy day in 1980 that my older brother introduced us to Dungeons and Dragons, the blue box version.  Though fairly young at the time, I was utterly captivated.  We played, of course, The Keep on the Borderlands module (we called them “modules” because that was what was printed on the box; more properly, they’d be called stories, or scenarios).  Those early games didn’t last long for reasons I no longer recall, but the game had lit a fire in me.

A couple years later, we unearthed those old D&D rulebooks and played again, mostly just my younger and I, with me as the Dungeon Master (also called “referee” or “game master”).  Then, during a trip to a local bookstore, I found the Dungeon Master’s Guide and Player’s Manual for Advanced Dungeons and Dragons.  Advanced!  Wait: you could be both an Elf and a Magic-User?  That was when things got really fun.

In high school, I joined the D&D club (called the Simulations Club) on a whim, which was one of the best decisions of my life: it helped me get out of my shell a little and introduced me to people who are still friends today.  One afternoon a week, we’d spend a couple hours after school killing monsters, sneaking into castles, and other such things.  All on paper.

From there, I found the game Call of Cthulhu: rather than play Lord of the Rings-style adventures, you took on the role of a 1920’s paranormal investigator dealing with H.P. Lovecraft’s Cthulhu mythos.  It was neat, but what really made it come alive for our gaming group was the Dreamlands expansion, where you could descend the seven hundred steps to the Gate of Deeper Slumber, and from there emerge into a fantasy world both surreal and horrifying.  Zoogs and horned Men of Leng, cat-inhabited Ulthar and Kuranes’ Celephais, moonbeasts and magicians.

By this time, I was typically the game master, the one who ran the Sunday night games: it was a role I enjoyed more than playing.  The games got even more interesting when I acquired both the Stormbringer and Hawkmoon role-playing game sets, which had the same core rules as Call of Cthulhu (all of them were published by Chaosium).  Rather than a limited universe of Earth and the Dreamlands, the players went further afield to Granbretan and the Young Kingdoms, and from there to the multiverse.

And then something new came around: Nephilim.  Also a Chaosium game, it had a similar rule set, but the setting was so different, so intriguing, that it couldn’t be folded into the long-running game.  We started anew.  The basic premise of Nephilim was that the players took on the role of semi-immortal spirits who possessed human beings throughout history, acquiring magical power and influence.  It was a world of secret societies, of changing human events to suit inhuman schemes.  Just creating a character took the whole day.

Eventually, as marriages, careers, children, and other elements of daily life took over, the game broke up.  For a while I resurrected it online with some of the old players, using a telnet client, but it didn’t have the same oomph as gathering around a kitchen or rec room table, playing face-to-face.

There’s a lot here I didn’t mention in detail: the Friday night D&D sessions, forays into Vampire: The Masquerade, Villains and Vigilantes, the Illuminati and Family Business card games, Dune, Axis and Allies, and poker.  All of them are worthy of pages of description.  Except for poker, which is fairly pedestrian, even when you get into variations like Follow the Wild Queen Chicago Recall.

Sometimes, I miss it.  But I’m too busy now telling my stories my way to collaborate the way these old games required.

Without it, though, without D&D and Call of Cthulhu, I wouldn’t be here, doing what I’m doing now.  There was true magic in those old games, and the spell they laid on me will last my entire life.  The rule books are still in boxes somewhere, waiting to be opened and enjoyed again.

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Filed Under: call of cthulhu, chaosium, dungeons and dragons, elric, fantasy, hawkmoon, lovecraft, role-playing games, rpg, science fiction, stormbringer

Breadhead Friday: Holla for Challah!

September 26, 2014 by David Dubrow Leave a Comment

Rosh Hashanah, the Jewish new year, started the evening of Wednesday, September 24.  Jewish holidays always begin the evening before, because Judaism goes by the lunar calendar. The next day begins when the sun sets. According to the Jewish calendar, this is the year 5775.

The holiday is traditionally celebrated with challah, apples, and honey to guarantee a sweet new year.  Challah is a braided egg bread, rich and a little bit sweet.  Some people put in raisins, others scatter poppy seeds and/or sesame seeds on the surface before baking.  Me, I just like it plain.  No raisins, dried fruit, or seeds.

The dough, freshly made

The dough after two days in the fridge. Note the bubbles

I’ve made challah before with some success, so for this new year’s celebration I decided to make it again.  Overall, I’m pretty pleased with the results, though my next batch of dough won’t be quite so wet.  I get so wrapped up in the artisan bread requirement of less flour=more holes that this dough ended up a little slack and difficult to work with.

Three-braid loaf after two hours of rising and egg wash

For ease of shaping, I went for a three-braid loaf.  You can do all kinds of braids, including round 7-braid loaves, but I’m working like heck to finish this YA Halloween novel and didn’t want to make too much work for myself.

Fresh out of the oven

So, Happy New Year!  Even if you’re not Jewish, challah’s a very tasty, flaky bread that’s great for sandwiches and French toast.

The crumb shot
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Filed Under: bread, breadhead friday, challah, judaism, new year, religion, rosh hashanah

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"It began to drizzle rain and he turned on the windshield wipers; they made a great clatter like two idiots clapping in church." --Flannery O'Connor, Wise Blood

"Squop chicken? I never get enough to eat when I eat squop chicken. I told you that when we sat down. You gotta give me that. I told you when we sat down, I said frankly I said this is not my idea of a meal, squop chicken. I'm a big eater." --John O'Hara, BUtterfield 8

I saw the 1977 cartoon The Hobbit as a little boy, and it kindled a love of heroic fantasy that has never left me. Orson Bean's passing is terrible news. Rest in peace.

Obviously, these young people have been poorly served by their parents, but the honest search for practical information should be lauded, not contemned.

You shouldn't look at or use Twitter, and this story is another perfect example. There's so much that's wrong here that it would take a battalion of clergy, philosophers, and psychologists to fully map it out, let alone treat the issue.

This is the advertising copy for Ilana Glazer's stand-up comedy special The Planet Is Burning: "Ilana Glazer‘s debut standup special is trés lol, and turns out - she one funny b. Check out Ilana’s thoughts on partnership, being a successful stoner adult, Nazis, Diva Cups, and more. Hold on to your nuts cuz this hour proves how useless the patriarchy is. For Christ’s sake, The Planet Is Burning, and it’s time a short, queer, hairy New York Jew screams it in your face!" This is written to make you want to watch it.

In the midst of reading books about modern farming, the 6,000 year history of bread, and ancient grains, I found this just-published piece by farmer and scholar Victor Davis Hanson: Remembering the Farming Way.

"I then confront the decreasing power of the movement in order to demonstrate the need for increased theorizations of the reflexive capacities of institutionalized power structures to sustain oppositional education social movements." Yes. Of course.

You should definitely check out Atomickristin's sci-fi story Women in Fridges.

As it turns out, there may yet be some kind of personal cost for attempting to incite a social media mob into violence against a teenage boy you don't know, but decided to hate anyway because reasons.

One of the biggest problems with internet content is that the vast majority of sites don't pay their writers, and it shows in the lack of quality writing. It's hard to find decent writers, and harder to scrape up the cash to pay them. This piece is a shining example of the problem of free content: it's worth what you pay for.

If you're interested in understanding our current cultural insanity, the best primer available is Douglas Murray's The Madness of Crowds. Thoughtful, entertaining, and incisive.

More laws are dumb. More law enforcement is dumb. The only proper response to violence is overwhelming violence. End the assault. There's a rising anti-semitism problem in New York because Jews who act like victims are being victimized by predators. None of these attacks are random. Carry a weapon and practice deploying it under duress. Be alert and aware. I don't understand why the women Tiffany Harris attacked didn't flatten her face into the pavement, but once word gets around that the consequences of violence are grave, the violence will lessen.

When are you assholes going to understand that this stupidity doesn't work any longer? Nobody gives much of a damn if you think we're sexist because we don't want to see a movie you think we should see. It only makes us dislike you that much more, and you started out being an unlikable asshole. Find a new way to shame normal people.

The movie Terms of Endearment still holds up more than 35 years later, and if you're looking for a tearjerker, this is your jam. One element that didn't get a lot of mention is, at the end, when Flap, with a shrug, decides that his mother-in-law will become the mother of his children once Emma dies. He abandons them, and nothing is made of it. This always troubled me.

You need to read this story the next time you feel the urge to complain. And if you need a shot of admiration for another family's courage, check this out.

Progressive political activist and children's author J.K. Rowling finds herself on the wrong side of a mob she helped to create. The Woke Sandwich she's been trying to force-feed others since she earned enough f-you money doesn't taste as good as it looks when she's obliged to take a bite.

I need you to check out The Kohen Chronicles and pray for this family. Their 5-year-old son has cancer.

Currently, the movie Star Wars: The Rise of Skywalker stands at 55% at Rotten Tomatoes. Don't forget that these are the same reviewers who not only adored the absolutely execrable The Last Jedi, but insisted that you were a MAGA hat-wearing incel white supremacist manbaby for not loving The Last Jedi. So either The Rise of Skywalker is an objectively bad film, or it simply wasn't woke enough to earn plaudits from our movie-reviewing moral and intellectual betters.

It's easy to hate the older pop bands like Genesis for their popularity, but they were capable of genius, and it shows in No Son of Mine.

If you want to know which identity group has more clout, read this story of the Zola ads on the Hallmark Channel.

Rest in peace, René Auberjonois. I remember you from Benson as a kid. As an adult, I remember you as Janos Audron in the Legacy of Kain video game series. You made every role you were in a classic.

Elf on a Shelf Follies, Part 2:
8-year-old: I wrote the elf a note! I hope he writes back.
Me: What did you write?
8yo: I asked if he has any friends.
Me: What if he says it's none of your business?
8yo: *eyes grow dark and glittering* Then I'll...touch him.
Me: Ah. Mutually assured destruction, then.

Elf on a Shelf Follies, Part 1: My 8-year-old got an Elf on the Shelf the other day. The book it came with tells a story in doggerel about this elf's purpose, which is to spy on the kid and report his doings to Santa Claus, who would then determine if the kid is worthy for Christmas presents this year. The book also said for the kid not to touch him, or the magic would fade, and for the family to give the elf a name. I wanted to name him Stasi. I was outvoted.

Actor Billy Dee Williams calls himself a man or a woman, depending on whim; his character Lando Calrissian is "pansexual," and his writer implies that he'd become intimate with anyone or anything, including, one presumes, a dog, a toaster, or a baby. J.J. Abrams is very concerned about LGBTQ representation in the Star Wars universe. This is Hollywood. This is Star Wars. This is what's important to the people in charge of your cinematic entertainment. Are you not entertained?

The funniest thing on the internet today is the number of people angry over an exercise bike commercial. Public outrage is always funny. Always.

One of the biggest mistakes the United States has ever made since WWII was recruiting for clandestine and federal law enforcement organizations at Ivy League schools. The best talent pools were/are available from local law enforcement and military veterans, with their maturity and, most importantly, field experience. We've been reaping the costs of these terrible decisions for decades, culminating in a hopelessly politicized, sub-competent FBI and CIA.

Watching Fauda seasons 1 and 2 again in preparation for season 3 to be broadcast, one hopes, in early 2020. Here's my back-of-the-matchbook review of season 2.

Every day I try to be grateful for what I have, even in the face of the petty frustrations and troubles that pockmark a day spent outside of one's living room, binge-watching Netflix. We live lives of ease in 21st century America, making it enormously difficult to do anything but take one's countless blessings for granted. Holidays like the just-passed Thanksgiving are helpful reminders. There's a reason why people call the attitude of a thankful heart practicing gratitude, not just feeling grateful. You have to practice it. You have to remind yourself of what you have. It's the work of a lifetime.

Held Back: A Recent Conversation.
8-year-old: Oh, and Jamie was there, too. He was in my first grade class two years ago.
Me: Wasn't he held back a year?
8yo: Yeah. It's because he kept going to the bathroom with the door open.
Me: No way!
8yo: And girls saw.
Me: That's not right. They're not going to hold a kid back a whole year over that.
8yo: Well, that's what he told me.
Me: Sounds fishy.
8yo: I believe him.
~fin~

It's right and good to push a raft of politically correct social justice policies on everything else under the sun, but when social justice invades Hollywood, that's just a bridge too far, says Terry Gilliam. Sorry, Terry: you helped make this sandwich. EAT IT.

Rob Henderson's piece on luxury beliefs will have you nodding your head over and over again...unless you subscribe to these luxury beliefs, in which case you'll get mad.

I've made the Saturday bread from Flour Water Salt Yeast so often that I've memorized the recipe. It never disappoints. Never. The same recipe works well for pizza, too.

Liberty doesn't mean the freedom to do anything you want. The true definition of liberty is the ability to choose the good. Anything less is libertinism.

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