David Dubrow

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Touch No One by Joseph Hirsch

August 10, 2017 by David Dubrow 1 Comment

my eyes are down hereI was honored to write a blurb for Joseph Hirsch’s science fiction/horror novel Touch No One:

Joseph Hirsch’s Touch No One is a disquieting blend of near-future science fiction, gritty detective tale, and grotesque horror story. Tightly written, it lifts up the rock covering our post-modern society’s deepest fears, where body modification and digital communication have replaced personal advancement and the intimacy of human contact. From the surgically-altered milk-women to weaponized, genetically-tailored parasites, Touch No One presents a disturbing vision of humanity’s future.

Despite being an indie fiction writer myself, I’d be the first to tell you that, like traditionally-published fiction, indie novels are very much a mixed bag. For every book you don’t want to put down, there are at least fifty that you can tell aren’t worth your time from the advertising copy alone. Touch No One is that one book you want to read all in one sitting, even as you cringe at the world it depicts. Hirsch knows what makes people tick, and can show you their deepest ugliness while making you care about what happens to them. The best books stay with you: Touch No One takes up residence in your guts and won’t leave for love or money.

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Filed Under: Uncategorized Tagged With: book review, horror, joseph hirsch, science fiction, touch no one

Movie Review: They Call Me Jeeg

July 25, 2017 by David Dubrow 3 Comments

I’ve talked about my dislike of the current state of superhero/science fiction franchises here and here. They’re bloated, overdone, past their prime, and exist as money-making efforts to draw nostalgia-soaked dollars from Boomers and Gen-Xers instead of reflecting today’s culture.

It doesn’t mean, however, that the superhero genre is dead. Movies like They Call Me Jeeg prove that there’s not just life in the genre, but relevance, too.

Enzo, the protagonist of the film, isn’t the kind of hero we want, but he is the hero we deserve. The hero we’ve elevated to primary status in our culture’s misguided quest to eliminate traditional heroic traits in favor of anti-heroic qualities. Faith is pushed out of public life to uphold the fictional value of “separation of church and state.” Honor is considered a quaint, archaic tradition no longer practiced in everyday society. And bravery has been so diluted by overuse that too many of us no longer know the difference between the risking of one’s life to save another and telling one’s parents one’s choice of bedroom partners: both are considered equally courageous.

Victoria Dougherty talks about the devaluation of the term hero here. Thanks to Sean Carlin for pointing this out.

For his part, Enzo possesses very little of these qualities: he’s a petty crook, a ne’er-do-well who falls into a canister of radioactive waste in the Tiber River, emerges with superhuman powers, and uses them to advance his meager position in life. He falls in with a young woman who thinks that he’s the incarnation of an anime superhero named Hiroshi from a cartoon called Steel Jeeg, and the story proceeds from there.

With his sleepy eyes and unkempt, unheroic appearance, Claudio Santamaria is the perfect choice to play Enzo, a man who eats nothing but vanilla pudding and spends his first ill-gotten windfall on pornographic DVDs. You can’t like him at first, then you don’t want to like him, and then you’re rooting for him by the end of the film. Ilenia Pastorelli as Alessia brings a fragility to her role that makes her steal every scene she’s in: she could explode at any moment, so you have to keep an eye on her. Everyone else exists as temporary allies or, for the most part, antagonists. Enzo’s opposite number is Zingaro the Gypsy, a small-time gang leader who Luca Marinelli plays with hilariously violent panache.

Our culture’s obsessions with social media, viral videos, and reality television are aptly lampooned throughout the film, showing us how difficult it is to have a truly secret identity in the 21st century, particularly if you find yourself having to do noteworthy things just to get by. Enzo’s powers, despite that we’ve seen them in superhero-soaked presentations across all known media platforms, still manage to elicit awe, particularly in how he makes use of them.

The movie does hit a couple of snags: it’s a bit long, perhaps longer than it needed to be, so it drags in parts. And there’s a subplot about fascist terrorists in Rome that wasn’t worked into the plot terribly well. Still, it deftly combines humor, pathos, and social commentary in an entertaining, unforgettable presentation that makes you wish for a sequel, even though you know it won’t happen.

They Call Me Jeeg is a great movie. What’re you waiting for? Get watching.

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Filed Under: Uncategorized Tagged With: foreign film, italian, movie review, science fiction, superhero, they call me jeeg

Frank Frazetta’s Death Dealer

July 20, 2017 by David Dubrow Leave a Comment

As a big fan of Frank Frazetta’s art, I was honored to write a piece with Paul Hair about Frazetta’s famous Death Dealer painting, and even more honored that Hollywood in Toto would publish it:

Frazetta died in 2010, but for at least a generation of fantasy fans, his oil paintings defined the aesthetic for sword-and-sorcery novels. Think huge, muscular men; curvaceous, creamy-skinned women and horrific beasts that menace both. From comic books to movie posters to the worlds of Tarzan and John Carter of Mars, his fierce fantasy depictions remain captivating.

His 1973 painting The Death Dealer became his most iconic work, used as cover art for music and books, as well as the basis for at least one novel. The piece also has been adapted into an imposing, life-size statue for III Corps, one of the higher echelon units of the U.S. Army.

Click to read the whole thing! Photographic credit goes to Paul Hair.

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Filed Under: Uncategorized Tagged With: art, frank frazetta, hollywood in toto, paul hair

Forgiving Yourself: A Meditation

July 18, 2017 by David Dubrow 3 Comments

I want to discuss the idea of separating you from what happened to you. There’s the you, the you reading this, and there are your experiences, and they’re not the same thing. One of my favorite expressions is, “It’s bad that it happened, but it’s worse if you don’t learn anything from it.” We look to the past for lessons, but we don’t live in the past. Being victimized doesn’t make you a victim. Staying where trauma happened makes you a victim.  As someone who has experienced trauma, only you can decide that you’re a victim. Someone who experienced the same thing may call himself a survivor, or may not call himself anything at all. Self-identifying as a victim ties you to your experiences. The mantle of victimhood can only be worn voluntarily. And, in today’s society, there are great benefits to being a victim, to display one’s traumas as badges of honor. In large part, human beings love attention. With the rise of social media and the 24-hour news cycle, stardom may be one trauma away. Victims get money, sympathy, and fame: who doesn’t want that?

This is not to say that people who have experienced genuine trauma should just get over it. Truly horrible things like rape, the loss of a child, a brutal assault: they require love and time to heal from, or at least endure. As human beings our worth is at least partly measured in how we care for those in need. Part of the freedom of being an adult is determining what qualifies as a trauma versus an unfortunate occurrence.

If you’re reading this, you’re probably doing okay, at least in terms of Maslow’s hierarchy of needs. You don’t lack for potable water. Perhaps you live in the West, or a Western-style country that upholds enough inalienable human rights to keep jackbooted thugs from knocking down your door and throwing you in prison over something minor. Compared to the vast majority of humanity for the vast majority of human history, you’re wealthy. So what do you have to complain about?

Not a lot. But it doesn’t mean that you haven’t had terrible experiences. And it definitely doesn’t mean that you shouldn’t learn from those experiences. Just retain that sense of perspective, that learned skill of sorting difficulties from the major (being shot at) to the nonexistent (a social media spat). Prioritizing is a learned skill. To a small child, everything’s important: a lost toy means as much as a house fire, at least in the moment. Because we’re so attached to our phones, our lifeline to social media, that perspective tends to get lost. Who Bill O’Reilly sexually harassed or what conspiracy theory Rachel Maddow is promulgating: do you really give a damn? Why does that have to take up space in your mental attic? Say you’re not political. Okay, who cares that your old high school friend didn’t Like that selfie of you and your kids at the Mets game? I know you count Likes and Favorites and Shares and Retweets: we all do. But you know they’re utterly empty, right? I mean, you know that deep down. You also know what is important: your family (if you have one), your faith (if you have one), your principles (if you have any).

So both developing that sense of perspective and maintaining it in a culture that prizes minutiae are vital to the separation of you from what happened to you. If it were easy we wouldn’t have to talk about it: we’d just do it like turning off a television.

Where this ties into children of substance abusers is that we often mature into adults with a pervasive feeling that there’s something wrong with us, whether we take up substance abuse ourselves or we don’t. That somehow our parents’ sins are written upon us in ways that others can read at a glance. That’s a function of confusing a negative experience with a negative trait. There’s nothing wrong with you, particularly the you as a child, but there was something wrong with your experience. It’s difficult to peel your self from your experiences after so long, particularly when these traumas were inflicted upon you as a child, when everything sticks and the scars run deepest. I don’t subscribe to the notion that children have special wisdom that mature adults lack, but they do feel things more strongly than adults do. And, in many respects, the subconscious is a time machine: when things happen to us today that are similar to what happened to us long ago, we often have the same emotional reactions to them that we did as youngsters. It’s difficult to escape the child’s logic: mommy drank, so there’s something wrong with me. It stays with us, even into adulthood.

That child’s logic often extends further, into self-blame: if there’s something wrong with me, it’s because of something I did. Or something I am. It doesn’t make sense to an adult, but children are adept at accepting responsibility for disparate things: step on a crack, break your mother’s back. You’re not eating your peas? What about the starving children in China? Etc. This illogic is baked into childhood. If you are something bad, owing to being the child of a substance abuser, then you need to be punished. And if the world isn’t punishing you enough, then you’ll just have to do it yourself. (Children love justice, particularly rough justice. Adults do, too.)

Once you recognize that there’s nothing wrong with you, but that there was something wrong with your experience, you can move on to the difficult step of forgiving yourself instead of punishing yourself. Call it your inner child or the Time Machine Subconscious, but you’ve got to tell that raw, injured kid that he’s okay. He didn’t do anything wrong. There’s nothing wrong with him. He’s worthy of love.

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Filed Under: Uncategorized Tagged With: me me me

Odds and Ends 7/11/2017

July 11, 2017 by David Dubrow 1 Comment

Few people seem to talk about the Amazon show Fortitude in the horror circles I dip into. Is it horror? An exquisitely slow-burn thriller? I’m seven episodes in at the time of this writing and the show is hard to categorize. This can be a bad or a good thing, depending. There are horror elements to it, in addition to police procedural and mystery. I have difficulty understanding about 15% of the dialogue, what with all the accents. Stanley Tucci steals every scene he’s in, which is amazing considering the strength of all the other performances. Once I’m done the first season I may do a proper write-up, but despite its somewhat frustrating slowness it’s a show I look forward to watching each evening.

***

Here’s a fragment of conversation I had with my son as we took a walk around the neighborhood not too long ago:

Sonny Boy: I can’t wait to go to gramma and grandpa’s.

Me: I’m sure you’ll have a lot of fun there.

Sonny Boy: Yeah. I’ll miss you and Mommy.

Me: You’ll be too busy having fun to miss us. But if you do, it’s okay. We’ll miss you, too.

Sonny Boy: I know your parents are dead. Do you miss yours mommy?

Me: *thinking* Yes.

He didn’t notice the long pause before my answer, or if he did, I’m certain he didn’t know how to interpret it. How could I tell him that I miss the person my mother was supposed to be instead of who she was? My wife, Sonny Boy’s mother, is a great example of who a mother is supposed to be; I thank God every day that Sonny Boy has her as his mom and doesn’t have a different experience. It’s taken me decades to learn, understand, and internalize the truth that people are not their experiences. There may be something wrong with your experience of something, but it doesn’t mean there’s something wrong with you. Many children of substance abusers don’t accept this, but grasping it is vital to achieving that one thing so many find impossible to do: forgive yourself.

Amazing how a simple question from a little boy can get the gears going.

***

Netflix recommended that I see the movie Bokeh, because it’s got an end-of-the-world flavor to it and I’m kind of partial to that. In it, two lovers vacationing in Iceland wake up one morning to find that they’re the last people on the planet. Where the movie succeeds is in the cinematography, where beautiful scenery is captured in rich hues. Where the movie fails is in everything else. In narrative, ideas, core, and tension, it’s as empty as the world the two lovers find themselves in. The protagonists embody every nightmarish thought Generation X and Boomers have about the millennial generation, down to the bearded hipster with his retro camera and the impossible-to-please girl who hints at a religious upbringing without having taken anything away from it. Watching it with the sound on or off makes no difference. No questions are answered, and few are asked. Despite all that, you might like it. If you watch it, drop me a line and let me know where I went wrong.

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Filed Under: Uncategorized Tagged With: bokeh, fortitude, horror, me me me, movie review, television

Happy Independence Day 2017

July 4, 2017 by David Dubrow 2 Comments

It’s the 4th of July, AKA First Brexit, AKA Independence Day!

While we Americans celebrate our independence from King George’s tyranny and the founding of the greatest nation on Earth, consider this question:

What is liberty?

Think about it and remember that any definition of a term can’t include the term in the definition. So you can’t define liberty as freedom, or use the word freedom or any of its synonyms in your answer.

So, what is it?

Some time ago, Mark Levin asked this question on his radio program, and while I didn’t listen to his answer (if he gave it), it did provide some food for thought. As best as I can figure out, liberty is the ability to exercise the God-given/natural rights we were all born with as human beings. The U.S. Constitution, as incredible and important a document as it is, doesn’t grant these rights. Only God can. The Constitution enshrines them. It describes and lists them, particularly in the first ten Amendments to the Constitution, also known as The Bill of Rights.

The U.S. government doesn’t grant these rights, either. No matter where you live you were born with natural rights. All the government can do is either protect these rights or limit them. Your liberty is very much a zero-sum proposition: the more liberty taken from you, either as a result of over-regulation by hostile government entities or the curtailing of your rights by ever-more restrictive laws, the less you have overall. America’s success as a nation isn’t coincidental. It’s this acknowledgment of the importance of personal freedom and where it comes from that makes us great.

Happy 4th, and God bless.

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Filed Under: Uncategorized Tagged With: america

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"It began to drizzle rain and he turned on the windshield wipers; they made a great clatter like two idiots clapping in church." --Flannery O'Connor, Wise Blood

"Squop chicken? I never get enough to eat when I eat squop chicken. I told you that when we sat down. You gotta give me that. I told you when we sat down, I said frankly I said this is not my idea of a meal, squop chicken. I'm a big eater." --John O'Hara, BUtterfield 8

I saw the 1977 cartoon The Hobbit as a little boy, and it kindled a love of heroic fantasy that has never left me. Orson Bean's passing is terrible news. Rest in peace.

Obviously, these young people have been poorly served by their parents, but the honest search for practical information should be lauded, not contemned.

You shouldn't look at or use Twitter, and this story is another perfect example. There's so much that's wrong here that it would take a battalion of clergy, philosophers, and psychologists to fully map it out, let alone treat the issue.

This is the advertising copy for Ilana Glazer's stand-up comedy special The Planet Is Burning: "Ilana Glazer‘s debut standup special is trés lol, and turns out - she one funny b. Check out Ilana’s thoughts on partnership, being a successful stoner adult, Nazis, Diva Cups, and more. Hold on to your nuts cuz this hour proves how useless the patriarchy is. For Christ’s sake, The Planet Is Burning, and it’s time a short, queer, hairy New York Jew screams it in your face!" This is written to make you want to watch it.

In the midst of reading books about modern farming, the 6,000 year history of bread, and ancient grains, I found this just-published piece by farmer and scholar Victor Davis Hanson: Remembering the Farming Way.

"I then confront the decreasing power of the movement in order to demonstrate the need for increased theorizations of the reflexive capacities of institutionalized power structures to sustain oppositional education social movements." Yes. Of course.

You should definitely check out Atomickristin's sci-fi story Women in Fridges.

As it turns out, there may yet be some kind of personal cost for attempting to incite a social media mob into violence against a teenage boy you don't know, but decided to hate anyway because reasons.

One of the biggest problems with internet content is that the vast majority of sites don't pay their writers, and it shows in the lack of quality writing. It's hard to find decent writers, and harder to scrape up the cash to pay them. This piece is a shining example of the problem of free content: it's worth what you pay for.

If you're interested in understanding our current cultural insanity, the best primer available is Douglas Murray's The Madness of Crowds. Thoughtful, entertaining, and incisive.

More laws are dumb. More law enforcement is dumb. The only proper response to violence is overwhelming violence. End the assault. There's a rising anti-semitism problem in New York because Jews who act like victims are being victimized by predators. None of these attacks are random. Carry a weapon and practice deploying it under duress. Be alert and aware. I don't understand why the women Tiffany Harris attacked didn't flatten her face into the pavement, but once word gets around that the consequences of violence are grave, the violence will lessen.

When are you assholes going to understand that this stupidity doesn't work any longer? Nobody gives much of a damn if you think we're sexist because we don't want to see a movie you think we should see. It only makes us dislike you that much more, and you started out being an unlikable asshole. Find a new way to shame normal people.

The movie Terms of Endearment still holds up more than 35 years later, and if you're looking for a tearjerker, this is your jam. One element that didn't get a lot of mention is, at the end, when Flap, with a shrug, decides that his mother-in-law will become the mother of his children once Emma dies. He abandons them, and nothing is made of it. This always troubled me.

You need to read this story the next time you feel the urge to complain. And if you need a shot of admiration for another family's courage, check this out.

Progressive political activist and children's author J.K. Rowling finds herself on the wrong side of a mob she helped to create. The Woke Sandwich she's been trying to force-feed others since she earned enough f-you money doesn't taste as good as it looks when she's obliged to take a bite.

I need you to check out The Kohen Chronicles and pray for this family. Their 5-year-old son has cancer.

Currently, the movie Star Wars: The Rise of Skywalker stands at 55% at Rotten Tomatoes. Don't forget that these are the same reviewers who not only adored the absolutely execrable The Last Jedi, but insisted that you were a MAGA hat-wearing incel white supremacist manbaby for not loving The Last Jedi. So either The Rise of Skywalker is an objectively bad film, or it simply wasn't woke enough to earn plaudits from our movie-reviewing moral and intellectual betters.

It's easy to hate the older pop bands like Genesis for their popularity, but they were capable of genius, and it shows in No Son of Mine.

If you want to know which identity group has more clout, read this story of the Zola ads on the Hallmark Channel.

Rest in peace, René Auberjonois. I remember you from Benson as a kid. As an adult, I remember you as Janos Audron in the Legacy of Kain video game series. You made every role you were in a classic.

Elf on a Shelf Follies, Part 2:
8-year-old: I wrote the elf a note! I hope he writes back.
Me: What did you write?
8yo: I asked if he has any friends.
Me: What if he says it's none of your business?
8yo: *eyes grow dark and glittering* Then I'll...touch him.
Me: Ah. Mutually assured destruction, then.

Elf on a Shelf Follies, Part 1: My 8-year-old got an Elf on the Shelf the other day. The book it came with tells a story in doggerel about this elf's purpose, which is to spy on the kid and report his doings to Santa Claus, who would then determine if the kid is worthy for Christmas presents this year. The book also said for the kid not to touch him, or the magic would fade, and for the family to give the elf a name. I wanted to name him Stasi. I was outvoted.

Actor Billy Dee Williams calls himself a man or a woman, depending on whim; his character Lando Calrissian is "pansexual," and his writer implies that he'd become intimate with anyone or anything, including, one presumes, a dog, a toaster, or a baby. J.J. Abrams is very concerned about LGBTQ representation in the Star Wars universe. This is Hollywood. This is Star Wars. This is what's important to the people in charge of your cinematic entertainment. Are you not entertained?

The funniest thing on the internet today is the number of people angry over an exercise bike commercial. Public outrage is always funny. Always.

One of the biggest mistakes the United States has ever made since WWII was recruiting for clandestine and federal law enforcement organizations at Ivy League schools. The best talent pools were/are available from local law enforcement and military veterans, with their maturity and, most importantly, field experience. We've been reaping the costs of these terrible decisions for decades, culminating in a hopelessly politicized, sub-competent FBI and CIA.

Watching Fauda seasons 1 and 2 again in preparation for season 3 to be broadcast, one hopes, in early 2020. Here's my back-of-the-matchbook review of season 2.

Every day I try to be grateful for what I have, even in the face of the petty frustrations and troubles that pockmark a day spent outside of one's living room, binge-watching Netflix. We live lives of ease in 21st century America, making it enormously difficult to do anything but take one's countless blessings for granted. Holidays like the just-passed Thanksgiving are helpful reminders. There's a reason why people call the attitude of a thankful heart practicing gratitude, not just feeling grateful. You have to practice it. You have to remind yourself of what you have. It's the work of a lifetime.

Held Back: A Recent Conversation.
8-year-old: Oh, and Jamie was there, too. He was in my first grade class two years ago.
Me: Wasn't he held back a year?
8yo: Yeah. It's because he kept going to the bathroom with the door open.
Me: No way!
8yo: And girls saw.
Me: That's not right. They're not going to hold a kid back a whole year over that.
8yo: Well, that's what he told me.
Me: Sounds fishy.
8yo: I believe him.
~fin~

It's right and good to push a raft of politically correct social justice policies on everything else under the sun, but when social justice invades Hollywood, that's just a bridge too far, says Terry Gilliam. Sorry, Terry: you helped make this sandwich. EAT IT.

Rob Henderson's piece on luxury beliefs will have you nodding your head over and over again...unless you subscribe to these luxury beliefs, in which case you'll get mad.

I've made the Saturday bread from Flour Water Salt Yeast so often that I've memorized the recipe. It never disappoints. Never. The same recipe works well for pizza, too.

Liberty doesn't mean the freedom to do anything you want. The true definition of liberty is the ability to choose the good. Anything less is libertinism.

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