When you decide that you’re going to write books, no matter what kind, the decision irrevocably changes how you read. Writers read for pleasure like everyone else, but they also analyze what they read, determining what works from what doesn’t and why.
I do that, at least.
The best fiction makes you forget that you’re in the act of reading; the best non-fiction turns you into an engaged student (or activist).
What follows is a list of which books made the greatest impression on me over the last twelve months. Lists like this tend to be quite personal. I’ll leave it up to the reader to suss out what makes me tick. I already know.
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10. The Three-Body Problem by Cixin Liu. The first in a sci-fi trilogy, it’s a taut, imaginative trip into near-future technology, extraterrestrial intelligence, and recent Chinese history, viewed through a purely materialistic lens. There’s nothing spiritual or aspirational about it, making it the Hugo-winning apotheosis of 21st century science fiction, which tends to explore nihilism over grace. Books two and three (The Dark Forest and Death’s End, respectively) got progressively less interesting, and the physics, as it advanced, became more like magic than science (A.C. Clarke, call your agent). If you read Three-Body, you’ll have to read the other two. You should read Three-Body anyway.
9. Grendel by John Gardner. The story of Beowulf as told by the monster, it’s a novel to be both enjoyed and admired. Clever, funny, gory, literary, and thoughtful, you only need to read the first page to understand why it’s a classic piece of literature. Gardner was a brilliant writer who died way too soon.
8. Wilderness of Mirrors by David C Martin. The non-fiction story of two men, William King Harvey and James Jesus Angleton, who worked for the CIA; Harvey was instrumental in exposing Soviet spy Kim Philby (who was in England’s MI-6), and Angleton had known Philby for years without suspecting a thing. Both Harvey and Angleton were complete loons in their own way, and if you ever thought that America’s clandestine intelligence service was anything other than accidentally competent, this book will disabuse you of that notion.
7. Couples by John Updike. I first read this novel in the mid-1990s, after finishing Updike’s Rabbit tetralogy, so I thought I would give it another spin. The themes of love, infidelity, and yearning remain relevant decades after the book was written. His graphic depictions of sex (especially in the 1960s) and frank discussions of intimacy are likewise shocking; Updike does not leave anything unsaid (one critic once said of him, “Did this guy ever have a thought he didn’t put on paper?”). I take it that the novel is at least a little bit autobiographical; I’m just glad I wasn’t Updike’s neighbor back then. This is still my favorite book of his.
6. Neighbors by Thomas Berger. Another novel of suburbia (after Updike’s Couples). Earl Kreese, a staid, boring, regular guy finds himself dealing with a pair of crazies who have just moved in next door. The absurdity in this novel borders on the surreal, but it’s hysterically funny for both the new neighbors’ antics and Earl’s reaction to them. Among many other excellent novels, Berger wrote Little Big Man.
5. Kafka on the Shore by Haruki Murakami. This was my first Murakami novel, and remains my favorite. Bizarre, filled with magical realism, ghost sex, and questions of identity and grief, it keeps you interested, even throughout the frequent descriptions of the protagonist’s mundane doings when not encountering weird phenomena. Since Kafka I’ve read several other Murakami books, which range from the tedious (1Q84) to the fascinating (A Wild Sheep Chase). Murakami is a writer who most people either love or don’t. I liked a good bit of what I’ve read, and didn’t like other bits.
4. Ordinary Men by Christopher R. Browning. If you’ve ever wondered how average Germans could murder so many Jewish men, women, and children in Poland during WWII, this is your book. A nonfiction work of horror, once you read it you’ll never forget it. I disagree with the writer’s conclusions, which take at least some of the individual responsibility away from the murderers, but this is still a vital text. Graphic and brutal.
3. H.P. Lovecraft: Against the World, Against Life by Michel Houellebecq. I’ve been an avid reader of Lovecraft and his associates since my teenage years, and Houellebecq’s analysis of the man and his mythos puts them in a new light, making them shine again. What an amazing book. I also enjoyed Houellebecq’s novels Serotonin and Submission in 2021, and highly recommend them.
2. The Obesity Code by Dr. Jason Fung. A guide to intermittent fasting: why it works and how you can make it work for you. Fasting has helped me immensely since I started it (I read Fung’s book in one night and began fasting that next morning). I look and feel better every day. Life-changing.
1. The Complete Stories by Flannery O’Connor. I couldn’t stand O’Connor’s novels Wise Blood and The Violent Bear It Away, but as a short story writer there was no one better in American literature. She shocks, she elevates, she hits you in the gut, sometimes in the same story. It’s an anthology I can’t wait to read again. The best book I read in 2021, and several of the previous years, also. Absolutely brilliant.
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I’m interested to see what 2022’s top ten are going to be. 2021 will be hard to beat!
Selling books is nothing like you expect it to be. This is not to say that it’s harder than other vocations, though it is difficult. It’s that in the world of 21st century publishing, you have to work at things that you became a writer to avoid: chiefly, sales and marketing. Nobody who writes anything except books on salesmanship says, I spent hundreds of hours writing and editing and polishing and sweating and bleeding over this book; I can’t wait to get out there and grind, day after day, trying to sell it.
To make things interesting, I decided to have my stigmata-afflicted character be a drug dealer, and I named him Ozzie. From the outset, I wanted Ozzie to go from a bad person to a less-bad person. He would become a hero, of sorts, and a believer in Christ through sheer pragmatism. The third book in the trilogy is called 
The 
