David Dubrow

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Movie Review: Interstellar

January 28, 2015 by David Dubrow Leave a Comment

I don’t know if I’m a Christopher Nolan fan.  I really liked The Prestige and loved Inception.  His Batman trilogy was the best effort made yet to capture Batman on film, but I was never really into Batman, and the Eastern martial arts stuff seemed sort of lame.  Still, I had high hopes going into Interstellar.

It’s his best yet.  Terrible movies come out all the time and people like them.  Mediocre ones get lots of Oscar attention, even when few people outside of the Academy have seen them.  Interstellar reminds us that truly great films can and do get made.  You can click on the IMDB link to get a description of the plot and learn who the cast is, but really, if you have the time, just see it.  I’ll describe some of the more general aspects of the film, and then afterward discuss plot elements that give the story away.
  • Matthew McConaughey: He did extraordinary work in this film.  Across the board the acting was great to middling, but in McConaughey’s case, he simply was Cooper.  At no point in the film did you get the feeling that this was a man playing a role.  You simply witnessed the remarkable experiences of a brave man doing the best he could in unbelievably difficult circumstances.  How often do you see that in a film?  Especially a genre film?
  • Family Life: It’s easy to go high-concept and get the audience’s waterworks going when it comes to family themes in a movie.  As sophisticated moviegoers, we’ve seen it all before.  This was different.  There was a level of complexity and anguish brought to this story that’s rarely seen in science fiction; the concept of time-debt was used here very well and was reminiscent of Dan Simmons’ classic Hyperion novels.  It added tension to an already taut story.
  • Immersion: There is simply no illusion a talented special effects crew can’t create with current technology.  While the effects weren’t necessary for the plot, everything looked as though it belonged: spacecraft gliding through space, the lander on the water planet, the camp on the ice world.  It was all just there.  No imagining necessary.  It looked perfectly real.  Even the robots were awesome; a lot of work was put into them to make them characters but not mascots.  
  • Our Future: Near the beginning of the film was a moment that showed you very clearly that this was not only set in the future, but that the future is a bleak, even terrible place.  You’ll know it when you see it; it’s jaw-droppingly ugly.  The Earth’s peril is both existential and philosophical, which makes McConaughey’s journey that much more important.

I don’t want to talk in hints, but if you haven’t seen this film, I would hate to spoil it for you.  Just watch it like I did, with wide eyes.  Five out of five stars.

*SPOILERY BITS*
READ NO FURTHER IF YOU HAVEN’T SEEN INTERSTELLAR
  • Matt Damon: Unfortunately for him, Matt Damon’s become such a star that he’s no longer a believable character any more, no matter who he plays (unless it’s Jason Bourne).  He did a good job, but he’s a little miscast, because he took me out of the film a little.  I knew he was squirrelly from the beginning: he talked way too much.  Also, anyone who tells you to NOT check or double-check something is a bad guy.  He had some of the best lines in the film, with his alternately pathetic apologizing and disturbing questions of the man he was trying to murder.
  • Bootstrapping: There’s a massive plot hole that the whole film is based on, and I can’t seem to get my head around it.  Everything that happens, from the wormhole appearing to Cooper saving himself via the tesseract is based on a recursive time loop.  If the future humans were the ones who sent the wormhole back in time to save us from a doomed Earth, how did those future humans survive to do it?  There should have been no future humans alive to save us.  The only way to explain it is to go into fifth-dimensional physics and play around with multiple universes, but if that’s the case, then why bother?  There’s an infinity of doomed Earth you’d have to save.
  • If B then A: It’s possible that the future humans sent the wormhole back in time not to save themselves, but to save Plan A humans.  The future humans could simply be the descendants of Plan B, who were going to survive anyway because Anne Hathaway unfroze their embryos on the new planet she’d found.  So what they did was save Earth’s population by sending the wormhole and tesseract back in time for Cooper to fly through and find.  
  • Me, Me, Me: I almost never geek out about movies, but I just dug this one.  Probably because I saw it with my brother; it was the first time we’d seen a movie in the theater together in over a decade.  He read the novelization and told me it was just a scene-by-scene novelization of the movie; no great revelations there.
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Filed Under: christopher nolan, interstellar, movie reviews, movies, science fiction, tesseract, time debt

"It began to drizzle rain and he turned on the windshield wipers; they made a great clatter like two idiots clapping in church." --Flannery O'Connor, Wise Blood

"Squop chicken? I never get enough to eat when I eat squop chicken. I told you that when we sat down. You gotta give me that. I told you when we sat down, I said frankly I said this is not my idea of a meal, squop chicken. I'm a big eater." --John O'Hara, BUtterfield 8

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This is the advertising copy for Ilana Glazer's stand-up comedy special The Planet Is Burning: "Ilana Glazer‘s debut standup special is trés lol, and turns out - she one funny b. Check out Ilana’s thoughts on partnership, being a successful stoner adult, Nazis, Diva Cups, and more. Hold on to your nuts cuz this hour proves how useless the patriarchy is. For Christ’s sake, The Planet Is Burning, and it’s time a short, queer, hairy New York Jew screams it in your face!" This is written to make you want to watch it.

In the midst of reading books about modern farming, the 6,000 year history of bread, and ancient grains, I found this just-published piece by farmer and scholar Victor Davis Hanson: Remembering the Farming Way.

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You should definitely check out Atomickristin's sci-fi story Women in Fridges.

As it turns out, there may yet be some kind of personal cost for attempting to incite a social media mob into violence against a teenage boy you don't know, but decided to hate anyway because reasons.

One of the biggest problems with internet content is that the vast majority of sites don't pay their writers, and it shows in the lack of quality writing. It's hard to find decent writers, and harder to scrape up the cash to pay them. This piece is a shining example of the problem of free content: it's worth what you pay for.

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When are you assholes going to understand that this stupidity doesn't work any longer? Nobody gives much of a damn if you think we're sexist because we don't want to see a movie you think we should see. It only makes us dislike you that much more, and you started out being an unlikable asshole. Find a new way to shame normal people.

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You need to read this story the next time you feel the urge to complain. And if you need a shot of admiration for another family's courage, check this out.

Progressive political activist and children's author J.K. Rowling finds herself on the wrong side of a mob she helped to create. The Woke Sandwich she's been trying to force-feed others since she earned enough f-you money doesn't taste as good as it looks when she's obliged to take a bite.

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It's easy to hate the older pop bands like Genesis for their popularity, but they were capable of genius, and it shows in No Son of Mine.

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Me: What did you write?
8yo: I asked if he has any friends.
Me: What if he says it's none of your business?
8yo: *eyes grow dark and glittering* Then I'll...touch him.
Me: Ah. Mutually assured destruction, then.

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Me: Sounds fishy.
8yo: I believe him.
~fin~

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Liberty doesn't mean the freedom to do anything you want. The true definition of liberty is the ability to choose the good. Anything less is libertinism.

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