I wrapped up my three-fer of reviewing Patryk Vega movies with Mafia Women 2 at Attack from Planet B:
Olga Boladz, who played the protagonist from the first film, probably didn’t want to have her name attached to this monstrosity because her character was murdered, off-camera, in the first minute of Women of Mafia 2. Says rather a lot, doesn’t it. Other surviving characters from Mafia Women, however, do continue their stories here, even if they don’t intersect or affect each other. The overarching plot, such as it is, involves a drug deal between Nanny’s drug gang and a Colombian cartel that goes terribly wrong, and the fallout that results from it.
I really need you to click to read the whole review to make me feel better about watching this film. Please.
Who doesn’t like mob movies? Not me. That is, I do like them. Yes. I hope I’ve made myself clear. Anyway, I reviewed the Polish mob movie Mafia Women for 
The clumsy, shrill feminist message running throughout the film is undercut by the plot. A female urologist’s husband tells her that he wants a divorce because he finds her vagina hideous to look at. He even uses the term “beef curtains.” (I don’t know if that’s an exact translation; all I can do is read the subtitles.) Later that day, the understandably unsettled doctor with the unappealing genitals insists that a male patient provide a semen sample by masturbating in front of her. After she gets fired for this piece of questionable professional behavior, she becomes a pioneer in vaginal plastic surgery, and even has her own female parts prettified. Today’s woke feminism would, no doubt, have her shouting her pride in her, ah, “beef curtains” instead of having them adjusted according to sexist male standards of attractiveness.
